Wireless microphones are now developed to a stage
where they are perfectly OK for semi-pro bands or venues.
Is there anything I should consider when buying?
The main consideration is to get a wireless
microphone that works on the True Diversity principle and it operates
at UHF (Ultra High Frequency) rather than VHF (Very High Frequency).
All True Diversity means is that the transmitter sends
two
signals to the receiver on different frequencies which are then summed at
the receiver end. This reduces the amount of drop-out or signal loss.
If you have a wireless that is not true diversity
it will be prone to drop out.
If you use fixed frequency microphones then it is
not advisable to use more than two at any time as you may suffer 'bleeding'
from one mic to another.
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wired and wireless microphones.
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