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What type of microphone do we need?

There are 3 basic factors to take into account when choosing microphones for live use:

Operating Principle (dynamic or condenser)

Dynamic

RecommendedSimple, rugged. Handles extreme volume levels without distortion. Used primarily on stage.

Condenser

Lightweight, sensitive. Precisely and smoothly captures sound nuances. Powered by battery or phantom power supply. Used primarily in studios.
 

Polar Patterns (the area the mike picks up from)

Cardioid

RecommendedPicks up the most sound in front of the microphone and some from the sides. Less susceptible to feedback in high volume environments. Used primarily for stage vocals.

Super Cardioid

RecommendedScreens unwanted sounds sources. Ideal for individual instruments in a multi-microphone setting, or single sources in noisy environments.
Used primarily for miking instrument cabinets.

Omni directional Equally sensitive to sound from all directions, but cannot be 'aimed' to isolate one area.
Bi Directional Picks up sound equally from the front and back of the microphone.
Hyper Cardioid Provides maximum isolation from ambient noise and adjacent sound such as musical instruments, loud speakers and other performers.
Half Cardioid Picks up the most sound from above the flat mounted microphone and some sound from the sides.
 

Frequency Response (the range of sound frequencies the mike can reproduce)

Frequency response determines the basic sound of the microphone. It is determined by the range of sound (from the lowest to the highest) that a microphone can reproduce, and how that sound varies at different frequencies. Typical response curves are:
 

Flat Wide, uniform response. Consistent sensitivity through the frequency range.

Tailored

RecommendedSmooth, extended response. Tuned to accentuate specific types of instruments or voices. Typically for stage use.
Adjustable Interchangeable frequency response caps for mild and high boosts.


Recommendations for stage use:

Usage Mic Type Pattern Frequency
Response

Example

Shop
Vocals Dynamic Cardoid

Tailored 60Hz - 15kHz

CMW20
Guitar Amps Dynamic Cardoid

Tailored 50Hz - 15kHz

CMW20
Bass Amps Dynamic Cardoid

Tailored 50Hz - 15kHz

CMW20
Acoustic Guitar Dynamic Cardoid

Tailored 40Hz - 18kHz

Kick Drum Dynamic Cardoid

Tailored 30Hz - 13kHz

CMD
S5(set)
Snare/Toms Dynamic Cardoid

Tailored 50Hz - 15kHz

Cymbals Dynamic Cardoid

Tailored 40Hz - 18kHz

LD Systems Sweet Sixteen Wireless Handheld Microphone

The Sweet Sixteen wireless microphone system is absolutely ideal for the wireless beginner.  It's very easy to set up and up to 3 systems can be used at the same time.  These systems are exempt from any licence. You can switch between the 16 channels if you find you are experiencing interference. Also available with headset or lapel mics. Click here to view our full range of wired and wireless microphones.

  • Open-field range approx. 80 m

  • Frequency Range  863,00 MHz – 865,00 MHz

  • Switching bandwith  0.125 MHz

  • 16 channels

  • Handheld microphone 

  • Switchable Gain level (20 dB) 

  • Easy handling and setting of the 16 channels via ASC infrared frequency scanning

  • Low-battery indicator 

  • Up to 12 hours of operation with 2 AA batteries (depending on the type) 

  • Soft-touch surface

  • Includes VAT

OUR PRICE

£145

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